Supply fee is $25 per class unless otherwise noted. Classes run from 10 a.m. to 5 p.m. with a break for lunch. Students should bring appropriate tools for each class or may purchase a tool kit from The Shop at MCBA. A complete list of tools is available on our website at www.mnbookarts.org.

Special pricing encourages you to stay all week. Each single day of class costs $125 or take as many classes as you can during the symposium for $500. For example, take a class that lasts only one day for $125 or a three-day class for $375. Better yet, take a week’s worth for $500.

Register soon as space is limited! Your place in class is assured with your paid registration. Call 612-215-2520 or 612-215-2533 to register.

SYMPOSIUM INSTRUCTOR BIOS

Bill Drendel is exhibitions coordinator of Columbia College Book Center for Book and Paper Arts and co-director of the popular Paper and Book Intensive held each year. Bill is a designer and book artist and he teaches workshops in the book arts both in Chicago and around the country. His work has been shown on four continents and he is working on number five. His very non-traditional works reside in both national and international collections.

Helen Hiebert is author of Paper Illuminated and proprietor of Enlightened Papers, which produces paper lamps, cards and ornaments. She is also author of Papermaking with Plants and The Papermaker’s Companion, and teaches workshops in papermaking and lampmaking around the country. Her studio is in Portland, Oregon.

Monique Lallier is an internationally recognized bookbinder & book artist. She began her studies in the 1960s in Montreal at Cotnoir Cappone School of Fashion and L’Art de la Reliure book binding school with Simone B. Roy. Monique’s work may be found in the collections of McGill University, Montreal, St. Joseph Oratory in Montreal, Louisiana State University, University of North Carolina, as well as many private collections in the USA, Canada, Europe and Japan.

Emily Martin is the proprietor of Naughty Dog Press. She has been making artists books since the 1970s. Emily’s books appear in public and private collections worldwide, including the Metropolitan Museum of Art, New York, the Museum of Contemporary Art, Chicago and the Tate Gallery, London. Emily teaches at the University of Iowa Center for the Book and in workshops nationwide.

Kitty Maryatt is the proprietor of Two Hands Press in California. Kitty’s commissions include book design, calligraphy, custom bookbinding and the publication of limited edition books. She is a former Director of the Scripps College Press and Assistant Professor of Typography. Kitty has been teaching and exhibiting her work for nearly 20 years.

Diane Maurer-Mathison is recognized internationally as an expert paper artist. Her work is represented in numerous collections. Diane’s papers have been reproduced by magazine and book publishers, in advertising art and in stationery designs for greeting card publishers. Diane is the author of eleven books including The Ultimate Marbling Handbook and The Art of Marking Paste Papers.

William Myers is a printmaker and letterpress printer by avocation working from a basement studio called Piano Press. He has illustrated two MCBA Winter Books, is a former board chair of the organization, and has been recognized with a Jerome Foundation Book Arts Fellowship. His work has been exhibited and distributed internationally through the Wood Engravers Network. William teaches philosophy at the College of St. Catherine in St. Paul.

Bridget O’Malley is co-proprietor of Cave Paper, a Minneapolis paper mill devoted to handmade decorated and unusual papers. Cave Paper is used by book artists worldwide. Bridget completed a five year residency with Timothy Barrett at the University of Iowa, was an artist-in-residence at Minnesota Center for Book Arts, and has been recognized with a Jerome Foundation Book Arts Fellowship.

Mary Jo Pauly is a former Artistic Director at Minnesota Center for Book Arts. She is a freelance book artist, designer and illustrator. Mary Jo’s work has been exhibited internationally and she has been recognized with two Jerome Foundation Book Arts Fellowships. She conducts workshops and residences throughout Minnesota.

Dennis Ruud is a Minneapolis conservator, custom bookbinder and calligrapher. Largely self-taught, Dennis has exhibited his work regionally and nationally. He has worked for several years establishing and maintaining book conservation workshops at the University of St. Thomas, St. Paul, Carleton College, Northfield, Minnesota, and the Kierkegaard Library at St. Olaf College, Northfield.

Gaylord Schanilec is a Wood engraver and Letterpress printer. He is a former artist-in-residence at Minnesota Center for Book Arts, and the Gregynog Press in Wales. His work can be found in most major special collection libraries in the US and UK, including the Getty Museum, Bodelian Library (Oxford), British National Art Library (London), and New York Public Library. His archives are held at the University of Minnesota.

Wilbur “Chip” Schilling studied print making and typecasting at the Clearing Press and bookbinding with Hedi Kyle and Daniel Kelm. Chip operates Indulgence Press in Minneapolis, specializing in fine press editions. He is a former print artist-in-residence at Minnesota Center for Book Arts.

Barbara Tetenbaum is Associate Professor and Department Head of Book Arts at Oregon College of Art and Craft in Portland, Oregon. Barb has been producing limited edition artist books since 1979 under the imprint Triangular Press. Her work appears in collections worldwide. She recently received a Fulbright Lectureship to teach in the Czech Republic, an Oregon Arts Commission Fellowship and a Regional Arts and Culture Council grant to produce an artist book in celebration of the 25th year of her press.

Symposium Classes: