Current Teaching Artists
Camilo Aguirre (he/him)
Camilo Aguirre studied his MFA degree in Visual Studies at the Minneapolis College of Art and Design (2018-2020). In Minneapolis, Camilo curated the Suitcase Gallery at MCAD and carried out projects like Distant Letters (2018-2019), in which he exchanged images that were shown simultaneously in different countries through printmaking. Camilo has also participated in the Mobile Printing Unit project at MCAD and made a graphic novel titled What Remains (2020).
Laura Beyer (she/her)
Laura Beyer is an artist working within the media of print, paper and book arts. Laura’s artwork has been collected by colleges and universities, private collections as well the Detroit Institute of Art. She has exhibited locally, nationally and internationally. She currently works as an arts instructor at various institutions in the Detroit area and runs her business, Hearty Greetings from her print studio.
Building on a thirty-year career as a teacher of wood carving, Susan Bjerke began teaching bookbinding, paper decoration, and tool-making at MCBA in 2006. Students have often commented on her clear instruction, her responsiveness to class pace, her excellent preparation, and her willingness to share “tricks of the trade.” Even a one-night class will introduce the key concepts necessary for students to move on to more complex projects. As a professional bookbinder who has designed her own letterpress books and collaborated with other artists, Sue works with students to match the content of a book with its structure and materials.
Michelle Blodgett (she/her)
Michelle Blodgett has been teaching and creating experiences for over 20 years. An Iowa native, Michelle received her BA in Arts Management with a minor in Education from Buena Vista University in Storm Lake, IA and her MA in Human Development with a focus on Creativity from Saint Mary’s University. She has developed programs and exhibits and taught at the following institutions: Witter Art Gallery, former College of Visual Arts, Hawaii Children’s Discovery Museum, and Minnesota Children’s Museum. Michelle enjoys sharing her passion for paper marbling and has been marbling since 2015.
Kevin Brown (he/him)
Kevin Brown was trained as a (digital) Linotype operator, the last of a centuries’ old tradition of dedicated typesetters. His company, Smart Set, has provided pre-press, print production, design, scanning, and digital printing services for 35 years. His decades-long experience in producing film and plates informs his fascination with all things pre-press, from halftone screens to dot gain, stochastic screening to diffusion dithers, with the goal of making technical aspects serve creative goals. He has a degree in Mass Communication / Environmental Interpretation from Bemidji State University.
Laura Brown (she/her)
Laura Brown makes prints, artist’s books, installations and social practice projects. She holds an MFA in Studio Art from the University of Texas. She has participated in residencies at Kala Art Institute, Minnesota Center for Book Arts, and Women’s Studio Workshop. Her work appears in collections at Yale University, Library of Congress, and others. Her work has been shown widely, most recently at the Soap Factory and the Minnesota Museum of American Art. She teaches at Minnesota Center for Book Arts and is an active member of Proof Public, a collective that aims to amplify marginalized voices through letterpress printing.
Savannah Bustillo (she/her)
Savannah Bustillo is a printmaker and book artist from Albuquerque, New Mexico. Often through language games, her work takes small, discarded objects, sounds, and movements that seem silent and insignificant and reemphasizes them. Recently this practice has turned to the visuality of sound, as Bustillo creates recordings of popularized American stories and turns them into images that the viewer must decode. She has helped teach workshops and demos in printmaking and book arts at Washington University in St. Louis, Anderson Ranch Arts Center, and Women’s Studio Workshop.
María Carolina Ceballos (she/her) is a Colombian book artist. She has exhibited her work in Colombia, the US, and Japan, and her books can be found in the University of Iowa Special Collections. In 2021, she earned an MFA in Book Arts with distinction from the University of Iowa, where she worked as a book conservation technician and digital book design instructor. In her artistic practice, she combines book arts with multilingual writing, music notation, and performance. In Colombia, she teaches bookbinding and works under the name Canto Press. She received the Caxton Club Grant Award in 2020–2021.
Irene Chan (she/her)
Irene Chan is a multidisciplinary artist who works conceptually in print media, papermaking, installation, storytelling performance, and book arts. Her books and works on paper have been exhibited internationally and held in 88 public collections including the Walker Art Center, the Fine Arts Museums of San Francisco, Tate Modern, Victoria & Albert Museum, and British Library in London. She established Ch’An (ch’ ahn) Press through which she has self-published prints and 35 limited-edition artist’s books to date.
Rachel E. Church (she/her)
Rachel E. Church is an intermedial artist, book artist, and printmaker working and teaching in Maine. She has a BA in Art with a concentration in Printmaking and Entrepreneurial Studies, a BFA in Studio Art with a minor in Book Arts, and an MFA in Intermedia. She is pursuing an Interdisciplinary PhD at the University of Maine investigating the intersection of cookbooks as historical documentation of domesticity and gender, and cookbooks as art objects. A member of Running with Scissors Studios in Portland, Maine, she also enjoys traveling, cooking, camping, hiking, and sewing.
Elaine G. Chu (she/her)
Elaine Chu has taught students of all ages in person and online. Her work has been featured in Greencraft and Somerset Studio magazines as well as 1,000 Artists’ Books. She co-authored Wood Paper Scissors, a how-to crafts book. Elaine received a BA in music at Yale University and a BFA in graphic design at University of the Arts. View more art at EGChuHandcrafted.etsy.com and on Instagram: @egchu1.
Béatrice Coron (she/her)
Béatrice Coron was born in France and has lived in Egypt, Mexico, and China before moving to New York. An urban dweller for the last twenty years, Coron launched her career as an artist in New York. She cut stories in diverse materials to create artist’s books and public art. Her work is major collections such as the Metropolitan Museum of Art and the Walker Art Center, along with public art in subways and airports, among others. To catch all in one place, visit her website or watch her TED talk.
Amanda D’Amico (she/her)
Amanda D’Amico is a book artist working under the imprint Tiny Revolutionary Press. She is the Master Printer at the Borowsky Center for Publication Arts, and teaches at the University of the Arts and Tyler School of Art in Philadelphia. She serves on the boards of the College Book Art Association, the Philadelphia Center for the Book, and The Soapbox: Community Print Shop and Zine Library. She is an artist member of the Impractical Laborers in Service of the Speculative Arts. Her artist’s books have been collected and exhibited nationally.
Ellen L. Ferrari
Ellen L. Ferrari (BA Carleton College) is a former Youth Programs Coordinator for MCBA and Family Programs Coordinator at the Minnesota Historical Society. She currently runs Art with Ellen—an art school for children 12 months to kindergarten—and teaches preschool and family classes at MCBA and other local art centers.
Heather RJ Fletcher (she/her)
Heather RJ Fletcher is an author, designer, and illustrator who has a love for decorative papers and book covers! She has taught marbling at MCBA and all over the country.
Emma Freeman (she/her)
Emma Freeman is a queer mixed media artist, designer, and teaching artist. She works in many different mediums including textiles, fibers, collage, bookmaking, drawing, printmaking, and cyanotype. Her process is playful, experimental, and meditative.
Carly Frei (she/her) created her business, Fiction Reshaped, by turning old books into works of art from her studio in St. Paul, MN. Carly has always been conscious of her environmental impact, and this is one of the reasons she wanted to reuse vintage books. She started collecting beautiful old books that would otherwise be thrown away and extending their lives to give them new purpose. Book art adds warm touches to your home decor and makes great gifts for family and friends. She creates folded book art, flower bouquets, magnets, greeting cards, and literary prints using recycled book pages.
Madeline Garcia (she/her)
Madeline Garcia is an artist and educator whose approach to art-making sits between conceptualism and craft. She is inspired by small details, everyday objects, and happenstance moments, many of which come from her time teaching and caring for children. She has a degree from Carleton College in Art and Education and grew up getting her sandwiches stolen by seagulls in San Diego, California.
Suzanne Glémot (she/her)
Suzanne Glémot is an artist and bookbinder working in Washington, DC. She holds an MFA from the University of Iowa Center for the Book, where she studied letterpress printing and bookbinding. Suzanne is originally from France, and her work explores memory as it relates to place and language. Her works are held in several private and public collections around the country.
Anna Haglin (she/her)
Anna Haglin is an interdisciplinary artist based in Moorhead, Minnesota. She attended Smith College in Massachusetts and earned her MA and MFA in printmaking at the University of Iowa. She completed a two-year apprenticeship in bookbinding at Arion Press in San Francisco and a studio assistantship at the Women’s Studio Workshop. She was awarded a residency at MCBA in 2012 and is currently Assistant Professor of Printmaking at Minnesota State University Moorhead. She has taught courses in foil imaging, foraging/herbarium-making, and papermaking with invasive plants.
Karen Hanmer (she/her)
Karen Hanmer’s artist-made books are physical manifestations of personal essays intertwining history, culture, politics, science, and technology. She utilizes both traditional and contemporary book structures, and the work is often playful in content or format. Hanmer’s work is included in collections ranging from The British Library and the Library of Congress to Stanford University and Graceland. She offers workshops and private instruction focusing on a solid foundation in traditional binding skills.
Skyler Hawkins (he/him) is a book artist and farmer based in the Twin Cities. His work in book arts focuses on functional, traditional book designs using both adhesive and non-adhesive techniques. His interest in bookbinding was sparked during a yearlong internship at North House Folk School. Since then he’s been studying, producing custom books, and teaching across the state of Minnesota. In warmer months he can be found growing vegetables in the heart of the Twin Cities, testing out his book designs and putting them to good use while taking notes on the many crops he cares for.
Laurel Jedamus (she/her)
Laurel Jedamus loves teaching, especially book arts! She has taught book arts workshops in the Twin Cities since 2014, most recently at MCBA in March 2020. Her day job includes doing book repair and making custom enclosures at the U of M Libraries. She earned her Core Certificate in Book Arts from MCBA in 2014, and volunteered there as the binding studio monitor in 2016/17.
James Kleiner (he/him)
James Kleiner received a BFA in Print Paper Book in 2011 from MCAD. Kleiner was a Journeyman at Cave Paper from 2012 to 2020, making production and custom handmade paper, dyeing and pigmenting paper, and restoring equipment. He received a grant from the Metropolitan Regional Arts Council (MRAC) in 2015 to travel, research, and construct double-face laid moulds and deckles for hand papermaking. In 2019 Kleiner and Anna Haglin received a grant from Springboard for the Arts for The Paper Plains Project, a mobile papermaking tool to connect communities across Minnesota with interactive experiences in papermaking and native prairie planting.
Monica Edwards Larson (she/her)
Monica Edwards Larson is the proprietress of Sister Black Press – a private Letterpress and Book Arts studio, established in 2000 in Minneapolis, MN. She received a Masters in Fine Art in printmaking from Arizona State University and has taught Printmaking, Graphic Design and Book Arts to students of all ages. She also operates Sister Black (Bike) Press – a mobile printing press that she pedals around the Twin Cities’ bike trails and streets, stopping to print at events in local parks, bike shops, bookstores and libraries.
Michelle Lee Lagerroos (she/her)
Michelle Lee Lagerroos has been teaching printmaking workshops to adults at MCBA and MCAD since 2012. She has a background in publishing, works as a wrangler of two young children by day and a book designer/screen printer/printmaking instructor by night, and is the screen printer behind Angry Peanut Press. While her work has been shown locally at places such as the State Fair Fine Arts show, Altered Esthetics, and MCBA, she also loves simply making screen prints and giving them to people.
Mary Leikvold (she/her)
Mary Leikvold teaches printmaking and book arts at the Minneapolis College of Art and Design and at Minnesota Center for Book Arts. Mary is active in the arts community in the Twin Cities and the state. She has been involved in organizing, jurying, and curating exhibitions at MCBA, MCAD, and the Minnesota State Fair Fine Arts Exhibition. She has worked with community groups facilitating workshops and retreats centered around drawing, painting and writing. Mary has a BFA from the University of Minnesota.
Catherine Liu (she/her)
Catherine Liu is an artist who uses book forms, printing, and handmade paper to explore invisibility, escapism, and secret identities. She creates dynamic colors and imagery through the manipulation of natural dyes with mordants and resists. Catherine received a Master of Fine Arts in Book Arts at the University of Iowa Center for the Book in 2019. To further her knowledge in natural dyes she received multiple University of Iowa Graduate Fellowships, a Stanley Award for International Research, and a Fulbright research grant to study dyeing, printing, and papermaking practices in China and Japan.
Joanna Manning (she/her)
Joanna Manning is a multimedia artist living in Minneapolis, Minnesota. Born near Detroit, MI, Manning received her BFA in Art at Bethel University in 2020. Manning is a teaching artist and has taught adults and children classes in the local community, including at Minnesota Center for Book Arts. She continues to learn and wants to share from her intentionally constructed artistic practice.
Erin Maurelli (she/her)
Erin Maurelli is a Twin Cities-based educator and artist. Printmaking, letterpress, and book arts are central to her personal work. She received a Master Printer Certificate from Tamarind Institute for Lithography in 2002. Maurelli received her MFA in printmaking from the University of Iowa, with an additional Book Arts Certificate from the University of Iowa’s Center for the Book. Maurelli is a great technician, and aims to help students improve their technique as well as explore their creativity.
Kirsten Olson (she/her)
Kirsten Olson has been teaching screen printing and book arts workshops to adults and kids at MCBA and other venues around the Twin Cities since 2012. Kirsten has a background in publishing and is the screen printer behind Pizza Squirrel Studio, a space where she collaborates with kids to create wearable and shareable art. Her studio is named after a neighborhood squirrel who loves to spend his days munching pizza slices in her yard. Cheers to you, little guy!
Bridget O’Malley (she/her)
Bridget O’Malley is a master papermaker. She worked from 1994–2017 as designer and production manager at Cave Paper Inc., a handmade paper mill specializing in natural-dyed flax papers. In addition to teaching at the Minneapolis College of Art and Design, O’Malley offers book, paper, and print workshops around the country. She studied papermaking with Timothy Barrett at the University of Iowa Center for the Book’s research and production paper facilities. While there, she completed a five-year papermaking apprenticeship. Her artwork focuses on forms found in nature, bringing those to life through the interplay of print, paper, and sculpture.
Radha Pandey (she/her)
Radha Pandey is a papermaker and letterpress printer. She earned her MFA in Book Arts from the University of Iowa Center for the Book. She practices European, Eastern and Indo-Islamic Papermaking techniques and teaches book arts classes in India, Europe and the US. Her book Anatomia Botanica won the MICA Book Award in 2014, and received an Honorable Mention at the 15th Carl Hertzog Award for Excellence in Book Design. In 2018, her book Deep Time won the Joshua Heller Memorial Award. Her artist’s books are held in over 40 collections internationally, including the Library of Congress and Yale University.
Yuka Petz (she/her)
Yuka Petz’s work straddles multiple disciplines, including book arts, graphic design, and 3D paper works. She received an MFA in Book Arts/Printmaking from the University of the Arts and a BFA from the Rhode Island School of Design. She has taught adult and youth workshops throughout Seattle, New Orleans, and in Japan. Yuka recently relocated to Seattle from New Orleans, where she co-founded SIFT and The Artist Book Collection at Paper Machine. Her work has been exhibited internationally and across the US, and her artist’s books are in the special collections of several public & university libraries.
Molly Poganski (she/her)
Molly Poganski is a letterpress printer and graphic designer originally from Louisville, Kentucky. She holds a BFA in Graphic Design from Indiana University and has thirteen years of printing and design experience. She works as MCBA’s Studio Technician and also as a letterpress printer at Bench Pressed. Molly also volunteers with Proof Public, an organization working to amplify marginalized voices through print, and runs Dandy Horse Press, a hobby print shop, from her basement in South Minneapolis.
Sally Power (she/her)
Sally Power has been drawn to marbling as an art form since she first saw it done some 20 years ago. It is a magical, contemplative process that ends in beautiful patterns and abstractions. While marbling is known as a book art, it can also be used to create fine art. Her work is exploring that process. She has taught marbling at MCBA since 2013.
Rachel Schend (she/her)
Rachel Schend learned bookbinding at the University of Iowa Center for the Book. She has a library degree from Indiana University, and her own work is inspired by the historical examples she saw as a student in rare book courses and working as a conservation technician. She has taught a number of bookbinding courses to library patrons.
Keri Miki-Lani Schroeder (she/her) (Coyote Bones Press)
Keri Miki-Lani Schroeder is a book artist in San Antonio. She teaches book art workshops at various institutions, and is the creator of Books in the Wild Podcast. Keri holds an MFA in Book Art & Creative Writing from Mills College, and was a former studio assistant at Flying Fish Press and an edition bookbinder at BookLab II. She was the Book Art Teaching Fellow in 2016, and 2019–2020 Salzberg Artist in Residence at Jaffe Center for Book Arts.
Greg Randall (he/him)
Greg Randall has taught many classes over the years in photography, printmaking, and Photoshop. In addition to taking pictures that highlight texture and shape, Greg loves to build increasingly complicated systems to generate photos that encapsulate time.
Rosae M. Reeder (she/her)
Rosae M. Reeder is a Book Artist/Printmaker and teacher of many things Book Arts and Printmaking. Living, teaching and constantly making in Philadelphia, Pa. She received her MFA from the Book Arts/Printmaking program at The University of the Arts in Philadelphia. Her work combines various alternative photographic processes, digital collage, traditional printmaking media such as Letterpress, Lithography, Monotype along with book structure. The imagery and content of her work is that of reference and reflection. A moment remembered, a time almost forgotten, a thought process evolved. Her work has been exhibited in many centers for the book and multiple galleries across the country and internationally.
Regula Russelle (she/her)
Regula Russelle has loved teaching book arts classes to community members and college students for many years. These days she focuses on artist practice and content development of small, handmade books and zines, mostly at MCBA. It’s always inspiring for her to see a delightful variety of projects take shape in class. The content of her own work includes responding to climate change, culture-making, family memoir, and kitchen table poetry. Her biggest “hit” so far are her free zines on Earth Care Practice with distribution numbers of over 7,300!
Kerri Sandve is an interdisciplinary artist and writer working under the imprint Carbon Copy Co. Press. She received her BFA in Print, Paper, Book Arts from the Minneapolis College of Art & Design. She has taught previous printmaking workshops at MCBA and facilitates a monthly collage club/makers meet-up for Patreon subscribers.
Anika Schneider (she/her)
Anika Schneider is a narrative figure painter and printmaker who draws on lived experiences, memory, and family photography. Anika received her MFA from Minneapolis College of Art and Design. For her undergraduate studies, she received a Bachelors of Science with a double major in Environmental Studies and Studio Art from Gettysburg College in Gettysburg, PA. Anika’s work has been exhibited nationally at galleries such as Soo Visual Arts Center, Rosalux Gallery, Circle Gallery, Visarts, Dumbarton Concert Gallery, Gallery B St. Paul, and Glen Echo Park Partnership for Arts and Culture. Anika currently lives and works in Minneapolis where she enjoys giving a home to second hand furniture and hiking with her dog Wolly.
Shawn Sheehy (he/him) has been teaching book arts courses and workshops on the national level for 20 years, including stops at MCBA, Center for Book Arts, Penland, Arrowmont, FOBA, Pyramid Atlantic, San Francisco Center for the Book, and PBI. His broadsides and artist’s book editions have been collected by Stanford, Carnegie Mellon, University of Chicago, Library of Congress, UCLA, and Harvard. He has created two trade pop-up books: Welcome to the Neighborhood (2015) and Beyond the Sixth Extinction (2018). Both were published by Candlewick Press and won numerous awards. He holds a Book Arts MFA from Columbia College Chicago.
Ellen Sheffield (she/her)
Ellen Sheffield’s works on paper and artist’s books use text and image intersections to create unexpected readings. Her interest in the juxtaposition of visual language: materials; design; mark-making; and printing processes, with written language: essays: poetry; and hybrid writing, continues to motivate art/word collaborations with Lewis Hyde, Fanny Howe, and Andrew Grace among others. Recently Ellen’s work explores themes of race and class in her rural community informed by research of local African-American history by her husband, Ric Sheffield, Kenyon College Professor of Sociology. Ellen’s studio, Unit IV Arts, is located in Gambier, OH, where she teaches in Kenyon’s Art Department. Her artist’s books have been collected by the Beinecke Library, Yale Collection of American Literature at Yale University, by the Ella Strong Denison Library at Scripps College and by many others.
Angie Tillges (she/her) is a civic project manager, artist, and educator working at the intersection of culture, environment, learning, and public life. She leads projects that allow people to make personal, lasting connections with one another and with public and natural spaces. She is the Great River Passage Fellow for the City of Saint Paul. Previously, she served as Senior Program Specialist for Chicago Park District, and as Neighborhood Arts Director for Chicago’s former Redmoon Theatre. She holds a M Ed. from Harvard Graduate School of Education, Arts in Education. Angie is co-founder of Wayfinding LLC with Rebecca Hunter.
Babette Wagenvoort (she/her)
Babette Wagenvoort is a Dutch visual artist, illustrator, curator and tutor, with contemporary drawing as a foundation of her practice. Recent self-initiated projects include Exercises in Drawn Protest and the book An Evening At The Women’s Association. Babette graduated from The Royal College of Art, London and lives in The Hague, Netherlands. She has enjoyed teaching fine art drawing and illustration at many academies and universities, including KABK, HKU and St. Joost in The Netherlands, University of Buffalo, USA and The London Institute, UK.
Cynthia Weiss (she/her) is a studio/public artist and award-winning educator in the field of arts integration. She has been Director of Education at Marwen, a youth arts organization, director of Project AIM at Columbia College Chicago, and consultant with Habla: The Center for Language and Culture in Merida, Mexico. Cynthia’s public mosaic projects transform neglected spaces into local landmarks throughout Chicago. She has exhibited cut-paper installations at the Hyde Park Art Center and Ukrainian Institute of Modern Art. She holds an MFA in Painting from University of Illinois at Chicago and is a member of the Chicago Public Art Group.
Jason is a Minnetonka-based artist and printer with a BFA from the Cleveland Institute of Art. Since 2005, he has worked in numerous letterpress studios in New York and Minnesota and has been involved at MCBA since 2013.
Sheila McNellis Asato
Sheila McNellis Asato, MA, is a visual artist with extensive experience teaching and exhibiting in the U.S., Europe, and Asia. Her work is deeply influenced by dreams, Japan, and the natural world. Bilingual in English and Japanese, Sheila draws upon her love of Japanese materials, drawing, watercolor, and photography to create unique handmade books that explore the healing power of creativity and dreaming. Sheila regularly leads workshops at MCBA and abroad on the relationship among art, dreams and healing.
Michael Benedetti was born and raised in Pittsburgh, Pennsylvania. In 2016, he received a Master of Fine Arts degree in Printmaking from the University of Georgia. He is active in the printmaking community through national and international residencies, including the Academy of Visual Arts in Ghent, Belgium, and Anderson Ranch Arts Center in Snowmass Village, Colorado. Michael was the 2017-2018 Printmaking Artist in Residence at the Lawrence Arts Center in Lawrence, Kansas. He resides in Minneapolis and works as a fabricator for Target and as a gallery technician for the Katherine E. Nash Gallery at the University of Minnesota.
Paula Benfer is an artist and teacher. She holds a Master’s degree in Art Education from the University of Iowa and earned her National Board Certification in 1997. Since retiring in central Minnesota, she now teaches a variety of ages through Central Minnesota Arts Board residencies and St. Cloud’s Paramount Center for the Arts. Recently, her work has focused on engagement with aging populations, addressing memory loss in particular.
Sarah Evenson (they/them)
Sarah Evenson is a genderqueer screenprinter and zinester with an interest in adapting book arts to low-tech environments. Their work playfully combines text and images. They have previously taught at Highpoint Center For Printmaking, Minneapolis College of Art and Design’s Continuing Education program, and served as an assistant at the Penland School of Crafts.
Briana Goetzen is a mixed media artist focusing on how the process of creative expression is healing for the mind, body, and spirit. She currently offers a variety of classes at Wet Paint in St. Paul, Minnesota, as well as online through her studio, Orange Spiral Arts.
Georgia A. Greeley
Georgia has been teaching at MCBA since 2002 and was an MCBA/Jerome Books Arts Fellow in 2014. She combines writing and art in almost all her creative endeavors.
A printmaker based in Minneapolis, Emily Marsolek first heard of Minnesota Center for Books Arts during printmaking classes at Concordia College in Moorhead, MN. After earning her BA in studio art and psychology, she moved to Minneapolis in 2014. Since her initial internship with Youth and Community Programs, she has taken letterpress classes, taught youth classes in book arts, and gained additional experience as an intern at Highpoint Center for Printmaking. When she is not teaching, she splits her time between various art organizations, learns more about printmaking through her own projects, and enjoys exploring new hiking spots.
A printmaker and gardener, Jessie has worked and studied around the US. After learning letterpress and intaglio in Charlottesville, Virginia, she furthered her printmaking studies at the University of Georgia, Haystack Mountain School of Craft, and Penland. Having taught printing to adults and children, she became the woodblock print instructor at the Women’s Woodshop in Minneapolis and the letterpress studio monitor at MCBA in 2018. Her goal is to make printmaking accessible to anyone of any experience and income level. She believes being creative while engaging with tradition is both life affirming and community building. Follow her @wheelbugs.
Jessica Meuninck-Ganger (she/her)
Jessica Meuninck-Ganger’s hybrid media works have been exhibited in museums and both experimental and commercial galleries regionally, nationally, and internationally. Her work is included in several private and public collections, including the Weisman Museum of Art, Northwestern Mutual, Target Corporation, Marcus Corporation, and in contemporary publications, such as Andrea Ferber’s, Sustenance: Contemporary Printmaking Now, Richard Noyce’s, Printmaking Beyond the Edge, and Nathaniel Stern’s, Interactive Art and Embodiment: The Implicit Body as Performance. Jessica received a BS degree in Art Education from Ball State University and a MFA in Studio Arts from the Minneapolis College of Art and Design. She is currently an Associate Professor and Associate Chair in Art and Design and Head of Print and Narrative Forms at the Peck School of the Arts, University of Wisconsin–Milwaukee.
Kelly Taylor Mitchell
Kelly Taylor Mitchell is an artist and educator who lives and works in Atlanta, GA, where she is currently an Artist-in-Residence with the Studio Artist Program at The Atlanta Contemporary. Kelly is an Assistant Professor of Art and Visual Culture and the Art Program Director at Spelman College. Kelly’s multidisciplinary practice centers oral history and ancestral memory woven into the fabric of the Africana Diaspora, in order to present speculative futures, specifically related to concepts of community autonomy, swamp marronage, and inherited identity. Utilizing printmaking, papermaking, sculpture, and textiles, her work manifests as immersive installations, performative objects, and partnered artist’s books offering a venue for the sensorial—specifically smell—to connect to, convey, and reimagine rituals and rites of autonomous kin, collectives, and individuals of the Africana Diaspora.
Sarah has been playing with paper and books for more than 20 years. After retiring from healthcare and educating in that space, she has moved to sharing her interest in books with others.
Sarah Pike (she/her)
Sarah Pike is a printmaker and owner of FreeFall Laser, a laser-cutting studio specializing in collaborating with artists and artisans to create custom work that combines technical expertise with artistic exploration. She received her MFA from the Pennsylvania Academy of the Fine Arts. Prior to opening FreeFall Laser, Sarah taught studio arts at the Community College of Vermont and printmaking at Bennington College, where she was the Technical Instructor of Printmaking.
Jana Pullman is a bookbinder, book conservator, and book arts instructor. She is the owner and operator of Western Slope Bindery, a handmade book, box, and conservation business based in Minneapolis, Minnesota. She teaches workshops around the country at such venues as the Penland School of Craft in North Carolina, Arrowmont School of Arts and Crafts in Tennessee, the Marriott Library at the University of Utah, the Oregon Book Arts Festival, and Minnesota Center for Book Arts. She is also an adjunct faculty member at Carleton College. Libraries, institutions, and private collectors have collected her artist’s books and fine bindings. She was the 2013 Minnesota Book Artist Award Winner and the winner of the Excellence in Fine Binding Award at SMU’s DeGolyer Bookbinding Competition in 2015 and again in 2018.
Erica Spitzer Rasmussen
Erica Spitzer Rasmussen is an artist who creates handmade paper garments and small editions of hand-bound books. Her current work explores issues of identity and family stories. Rasmussen is a recipient of the 2018 Minnesota Book Artist Award and various grants from the Minnesota State Arts Board. Other professional highlights include a papermaking residency in Vienna, Austria, a solo exhibition in Mexico City, Mexico, and bookbinding residencies in Venice, Italy. Her work has been featured in such magazines as American Craft and Hand Papermaking. Rasmussen teaches studio arts as a full professor at Metropolitan State University in St. Paul, Minnesota.
Karine was born into a multicultural family of environmental activists in France. After a career in education, she transitioned to literary translation. Karine explores binary ways of seeing: natural/manmade, real/fake, city/nature, dead/alive, etc. Advocating for more responsible consumption, she uses water-based inks and “scavenged” junk mail and packaging. An educator at heart, she holds “social folding” performances related to justice and the environment. Because of her background in linguistics, she sees her work as an act of language. The finished product expresses an ephemeral poetic force and has one purpose: to help people understand, embrace, and celebrate our fragile ecosystems.
Wilber “Chip” Schilling
As an artist, Wilber “Chip” Schilling creates fine press books, artist’s books, broadsides, and prints—specializing in design, photography, letterpress printing, and binding. Since 1992, he has worked under the imprint of Indulgence Press. His work is collected and exhibited internationally. Schilling currently serves on the Board of Directors for the Fine Press Book Association and for the Traffic Zone Center for Visual Art. He has taught at the College of Visual Arts, Carleton College, the Minneapolis College of Art and Design, and Columbia College Chicago.
Kathleen Sheridan (she/her)
Kathleen Sheridan is a former Spanish teacher who turned her passion (since fourth grade!) into a business. Kathleen teaches all types of origami: animals, boxes, useful items, and modulars to beginner and advanced origami students. She actively learns the latest models created by attending national and international origami conventions. Kathleen is the host of Origami Connect, a program that provides live, monthly, online origami sessions. She serves on the Board of Directors for OrigamiUSA.
Nicole Sara Simpkins makes prints, drawings, installations, books, and prose poems. She has shown work at The White Page, The Future, and the Paul Whitney Larson Gallery, and she has taught drawing, design, and printmaking at Macalester College, Minneapolis College of Art and Design, the University of Minnesota, the University of Wisconsin–Stout, and Indiana University. She has an MFA in Printmaking from Indiana University–Bloomington and a BA in English from Macalester College.
Sarah Ta has been teaching arts to co-workers, families, and friends for many years. She has also created YouTube content for polymer clay and other DIY projects.
Brad Thomas has more than 25 years of experience as a professional artist, curator, and administrator. His commissioned works have been featured at the North Carolina Museum of Art, the Halsey Institute for Contemporary Art, and the Craft Museum of Finland. His works are held in numerous private and public collections including the Mint Museum, the Bechtler Museum of Modern Art, the Weatherspoon Art Museum, and the Whitney Museum of American Art. He is currently pursuing his MFA degree at the Minneapolis College of Art and Design (MCAD) where he was awarded the Trustees’ and Merit Scholarships for ongoing research.
A graduate student at the University of Minnesota, Greta Treiber is getting her teaching license and Masters in Visual Arts Education with plans to teach elementary school art within the Twin Cities. Originally from Madison, Wisconsin, she moved to pursue her BA in Art along with studies in Spanish and Racial Justice in Urban Schooling at the University of Minnesota. As an education intern for MCBA, she worked to nurture MCBA’s relationships with local schools to best accommodate teachers and widen youth perspectives on community arts through bookmaking classes. Greta loves helping kids get messy and creative in the studios!
Jill Weese, M.Ed., is a book artist and educator. Jill has a special interest in bringing book arts to new audiences. She has been teaching book arts to children and adults at MCBA as well as schools, libraries, and art centers across the state of Minnesota for over 20 years. Retired after 10 years as MCBA’s Director of Youth and Community Programming, Jill continues to teach, make books, and work in The Shop at MCBA as a Visitor Services and Shop Associate. Jill is a licensed teacher and holds MCBA’s Core and Advanced Book Arts Certificates.
Jody Williams publishes artist’s books under the name Flying Paper Press. She has taught workshops and presented lectures at museums and colleges across the United States and in Europe. Her work is in the collections of the Walker Art Center, San Francisco Museum of Modern Art, Minnesota Historical Society, and numerous other museums, universities, and libraries. Honors include Jerome Foundation fellowships, grants, and awards from the American Craft Council, Minnesota Center for Book Arts (MCBA), and Minneapolis College of Art and Design. Williams is a two-time recipient of the Minnesota Book Artist Award (2008 and 2019) from the Friends of the St. Paul Public Library and MCBA, and was awarded a Minnesota State Arts Board Artist Initiative Grant in 2013.
Peng Wu is an artist and design activist dedicated to creating socially engaged art in public space. His work combines the power of design thinking with contemporary art strategies to address various urgent issues including immigration, modern medicine and health, and environmental sustainability. Hand papermaking and bookmaking is in the center of his art practice. He currently works as an independent researcher and artist-in-residence at the University of Minnesota’s Weisman Art Museum, focusing on the art of sleep, and teaches MFA critique seminar at Minneapolis College of Art and Design.